GUEST POST AND REVIEW: Jessica Verdi, Author of What You Left Behind

Synopsis: It’s all Ryden’s fault. If he hadn’t gotten Meg pregnant, she would have never stopped her chemo treatments and would still be alive. Instead, he’s failing fatherhood one dirty diaper at a time. And it’s not like he’s had time to grieve while struggling to care for their infant daughter, start his senior year, and earn the soccer scholarship he needs to go to college.

The one person who makes Ryden feel like his old self is Joni. She’s fun and energetic—and doesn’t know he has a baby. But the more time they spend together, the harder it becomes to keep his two worlds separate. Finding one of Meg’s journals only stirs up old emotions, and Ryden’s convinced Meg left other notebooks for him to find, some message to help his new life make sense. But how is he going to have a future if he can’t let go of the past?

My review: I was fascinated by the idea of a YA novel written from the male point of view, especially by a female author. Jessica does a fantastic job of getting into the mind of a teenaged boy. Ryden has so much going on in his life--mourning his girlfriend, raising his daughter, holding down a job, going to school, being on the soccer team--and we get insight into his thoughts on all of it.

Sometimes I felt sorry for him, and other times I just wanted to shake him...much like how I feel about most ACTUAL teenagers. The entire cast of characters in this book are realistically written and very believable. Ryden's mother is always there to support him, but she also makes him be responsible for his daughter as much as possible. His friends are unsure how to react to him, with the exception of Meg's sister and Meg's best friend, both of whom are straightforward with him, good or bad. 

There are a lot of ups and downs to this story, but the ending was very satisfying. I'd love to read a sequel, several years in the future, to see how things are going, not just for Ryden and Hope, but for the other characters as well.

My rating: Four stars

GUEST POST FROM JESSICA VERDI

My question: How different was it to write this novel from the point of view of the opposite sex?

Thanks so much for having me on your blog, Teresa, and for your great question! What You Left Behind is my first book from the POV of a boy. I absolutely fell in love with Ryden as I was writing, and I felt like I really knew him. In so many ways, it was easier to write from his POV than from the POV of a female narrator as I did in my first two books. I think, because he's a boy and I'm not, I may have subconsciously felt more freedom to just take his character wherever it needed to go, because, since we were already so different, there was no element of "me" clinging to him. No "Well, I would or wouldn't do that," etc. So it became more of an “anything’s possible” process, which was really fun.

I'm glad to have written a book from the POV of a boy because there are plenty of boy readers out there who need to see themselves represented in literature, and as something more than just the love interest of the female main character. (Not that there’s anything wrong with a good, juicy romance!) There just seems to be a shortage of male narrators in YA lately, and that may or may not be related to the fallacy that “boys don’t read.” Boys absolutely read, and they need to see themselves on the page just as much as the rest of us do. I love that there’s a boy (and only a boy) on the cover of the book, and I'm hopeful boy readers will pick it up and find Ryden interesting and identifiable.

About the author

Jessica Verdi lives in Brooklyn, NY, and received her MFA in Writing for Children from The New School. She loves seltzer, Tabasco sauce, TV, vegetarian soup, flip-flops, and her dog. Visit her at jessicaverdi.com and follow her on Twitter @jessverdi.

Amen, Amen, Amen:Memoir Of A Girl Who Couldn't Stop Praying (Among Other Things), by Abby Sher

Synopsis: Until the age of ten, Abby Sher was a happy child in a fun-loving, musical family. But when her father and favorite aunt pass away, Abby fills the void of her loss with rituals: kissing her father's picture over and over each night, washing her hands, counting her steps, and collecting sharp objects that she thinks could harm innocent pedestrians. Then she begins to pray. At first she repeats the few phrases she remem-bers from synagogue, but by the time she is in high school, Abby is spending hours locked in her closet, urgently reciting a series of incantations and pleas. If she doesn't, she is sure someone else will die, too. The patterns from which she cannot deviate become her shelter and her obsession. 

In college Abby is diagnosed with obsessive-compulsive disorder, and while she accepts this as an explanation for the counting and kissing and collecting, she resists labeling her fiercest obsession, certain that her prayers and her relationship with G-d are not an illness but the cure. She also discovers a new passion: performing comedy. She is never happier than when she dons a wig and makes people laugh. Offstage, however, she remains unable to confront the fears that drive her. She descends into darker compulsions, starving and cutting herself, measuring every calorie and incision. It is only when her earliest, deepest fear is realized that Abby is forced to examine and redefine the terms of her faith and her future. 

Amen, Amen, Amen is an elegy honoring a mother, father, and beloved aunt who filled a child with music and their own blend of neuroticism. It is an adventure, full of fast cars, unsolved crimes, and close calls. It is part detective story, part love story, about Abby's hunt for answers and someone to guide her to them. It is a young woman's radiant and heartbreaking account of struggling to recognize the bounds and boundlessness of obsession and devotion.

Thoughts: This story is so raw and emotional throughout....in places I could totally feel her OCD in myself! She's been through a lot of rough times in her life, along with a lot of therapy, medications, interventions, etc. And the ending (or beginning!) of the story is full of hope and love.  

This Is Where I Leave You, by Jonathan Tropper

Synopsis: The death of Judd Foxman's father marks the first time that the entire Foxman clan has congregated in years. There is, however, one conspicuous absence: Judd's wife, Jen, whose affair with his radio- shock-jock boss has recently become painfully public. Simultaneously mourning the demise of his father and his marriage, Judd joins his dysfunctional family as they reluctantly sit shiva-and spend seven days and nights under the same roof. The week quickly spins out of control as longstanding grudges resurface, secrets are revealed and old passions are reawakened. Then Jen delivers the clincher: she's pregnant.

Thoughts: Who would have guessed that a novel about death and mourning could be so hilarious? The three Foxman brothers, their sister, their mother, and their significant others all have issues which come to light during their week of forced togetherness. The movie based on this book is scheduled to be released in September, and while I'm not impressed with some of the casting, I still hope it will be a fun film.